Elizabeth Nourse (Oct. 26, 1859 - 1938): Flock of Geese, ca. 1883 - oil on wood (Smithsonian)
"Elizabeth Nourse’s considerable reputation as a Salon painter was acquired in Paris during the late nineteenth and early twentieth centuries, when that city was the leading international art center. Nourse was acclaimed by her fellow artists and the public alike, not only for her technical skill but also for the unique personal vision she brought to her subject matter.
She was one of the first American women to be elected a member of Société Nationale des Beaux-Arts, and she won many awards in the international expositions of the time, in Chicago, Nashville, Paris, Saint Louis, and San Francisco. She was consistently invited to enter the annual juried exhibitions that were a prominent feature of the American art scene—at the Pennsylvania Academy of the Fine Arts, the Carnegie Institute, the Art Institute of Chicago, the Cincinnati Art Museum, and the Corcoran Gallery of Art. As a final accolade the French government bought her painting Les volets clos for its permanent collection of contemporary art to hang in the Musée du Luxembourg with the work of such artists as James Abbott McNeill Whistler, Winslow Homer, and John Singer Sargent.” - Mary Alice Heekin Burke and Lois Marie Fink. Elizabeth Nourse, 1859–1938: A Salon Career (Washington, D.C.: Smithsonian Institution Press for the National Museum of American Art and the Cincinnati Art Museum, 1983).

Elizabeth Nourse (Oct. 26, 1859 - 1938): Flock of Geese, ca. 1883 - oil on wood (Smithsonian)

"Elizabeth Nourse’s considerable reputation as a Salon painter was acquired in Paris during the late nineteenth and early twentieth centuries, when that city was the leading international art center. Nourse was acclaimed by her fellow artists and the public alike, not only for her technical skill but also for the unique personal vision she brought to her subject matter.

She was one of the first American women to be elected a member of Société Nationale des Beaux-Arts, and she won many awards in the international expositions of the time, in Chicago, Nashville, Paris, Saint Louis, and San Francisco. She was consistently invited to enter the annual juried exhibitions that were a prominent feature of the American art scene—at the Pennsylvania Academy of the Fine Arts, the Carnegie Institute, the Art Institute of Chicago, the Cincinnati Art Museum, and the Corcoran Gallery of Art. As a final accolade the French government bought her painting Les volets clos for its permanent collection of contemporary art to hang in the Musée du Luxembourg with the work of such artists as James Abbott McNeill Whistler, Winslow Homer, and John Singer Sargent.” - Mary Alice Heekin Burke and Lois Marie Fink. Elizabeth Nourse, 1859–1938: A Salon Career (Washington, D.C.: Smithsonian Institution Press for the National Museum of American Art and the Cincinnati Art Museum, 1983).

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